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Elliott Smith - From a Basement on the Hill Vinyl Record | Indie Folk Music Album for Collectors & Audiophiles | Perfect for Relaxing Evenings & Music Enthusiasts
Elliott Smith - From a Basement on the Hill Vinyl Record | Indie Folk Music Album for Collectors & Audiophiles | Perfect for Relaxing Evenings & Music Enthusiasts
Elliott Smith - From a Basement on the Hill Vinyl Record | Indie Folk Music Album for Collectors & Audiophiles | Perfect for Relaxing Evenings & Music Enthusiasts

Elliott Smith - From a Basement on the Hill Vinyl Record | Indie Folk Music Album for Collectors & Audiophiles | Perfect for Relaxing Evenings & Music Enthusiasts

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Description

Product Description Elliott Smith has been a patron saint of the indie scene since his days helming Portland heroes Heatmiser. As a solo artist, his fondness for Beatlesque melody led to some of the most beautifully orchestrated pop of the last decade. This is his final recording, which found him returning to an edgier, guitar-driven sound, alongside his trademark heart-rending balladry. MUZE Notes: Elliott Smith's death in 2003 left a cavernous hole in the world of popular music. Tender, intimate, and painfully honest, the songs in Smith's catalogue capture the fragility of human existence with rare, breathtaking beauty. On his first posthumous release, Smith reaffirms his status as an extraordinarily gifted artist, giving fans yet another reason to mourn his tragic loss. Conceived as an ambitious double album, FROM A BASEMENT ON THE HILL was ultimately narrowed down to 15 tracks by Smith's close friends, producer Rob Schnapf (Beck's MELLOW GOLD, Smith's X/O) and musician Joanna Bolme (the Minders, Stephen Malkmus & the Jicks). The result is a heartbreaking collection of songs that plays like a retrospective of Smith's entire career. "Strung Out Again" reflects the early edge of ROMAN CANDLE; "Last Hour" recalls the bittersweet melodies of ELLIOTT SMITH; "A Fond Farewell" is a sad anthem in the tradition of EITHER/OR; "Shooting Star" employs the more polished sound of ! X/O; and "Don't Go Down" is an extension of the more electrified FIGURE 8. Of course, the most haunting aspect of FROM A BASEMENT ON THE HILL is the lyrical content, which is impossible to hear without placing it in the context of Smith's untimely passing. Amazon.com Posthumous releases fall into two categories: those which the artist was working on at the time of their death, and those which are gathered from every nook and cranny to keep fans enthused and cash registers ringing. Elliott Smith's from a basement on the hill is of the former variety. It was close to completion at the time of his untimely death. Over the course of the set's 15 songs, Smith's powerful songwriting and production skills are shown in their full breadth. From thickly interlocked chordal guitar riffs ("Coast to Coast") to shimmering melancholia ("A Fond Farewell"), the songs are each brought to their own particular focus by whatever means were most appropriate. There are lush background vocals, keyboard washes, pounding rhythms, and heart rending balladry. This disc is a sad goodbye to richly emotive artist. --David Greenberger Review 5 out of 5 - "[E]very track on BASEMENT is a highlight." -- Alternative Press See more

Reviews

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- Verified Buyer
Elliott Smith was an extraordinary musician. This album is diverse -- every facet of the artist is here, all that he'd known and learned through the years: you'll find it here.There are songs like oracles, eerily predicting the future. And songs that sound fully alive and intending to remain that way.This man's ability to convey such intensely personal feelings and observations in few words and his complex guitar work...mind-boggling. I've tried to figure it out, decipher the tunings, but it's as though he wrote the tunes and the guitar was played through some native encryption method...he was one of those rare unicorns, often compared to Nick Drake. The difference is, Elliott Smith didn't have the delicacy -- he'd seen quite a bit and wasn't sugar-coating the experience. And he didn't have a persistent depressive feel, despite the sadness conveyed in his voice. This is in no way intended to denigrate Nick Drake, as he was also quite astonishing.It is simply saying (IMHO): Elliott expressed anger and angst and surprise at some of the idiocy and beauty and mediocrity he encountered or was accosted by. Nick expressed a sense of being a misunderstood person who never felt quite at ease in his body and in this world. It is the quality of their voices and a talent (sometimes a curse) for introspection they had most in common.I bought this CD used, through an Amazon Seller. So *technically*, the purchase was made here on Amazon. It was an unmitigated bargain. I'd considered purchasing this CD for *years*, but like many people stuck to the "Earlier Elliott". I'm so happy I gave "FABOTH" a chance...I'd have missed so very much.So? Don't get stuck in the early groove and ignore the evolution of the artist. Here was something beautiful I hadn't heard, but really needed to hear. Maybe that's true of you, too. Take the leap and give it a chance. I sincerely doubt you'll regret buying this album -- more likely, you'll regret the time you spent avoiding it.